All Ostade, Adriaen van Oil Paintings

Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).
 

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Ostade, Adriaen van Merrymaking Outside an Inn oil on canvas


Merrymaking Outside an Inn
Merrymaking Outside an Inn
Painting ID::  19715
  Oil on canvas.
  Oil on canvas.

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Ostade, Adriaen van Drinking Figures and Crying Children oil on canvas


Drinking Figures and Crying Children
Drinking Figures and Crying Children
Painting ID::  19716
  1634 Oil on panel.
  1634 Oil on panel.

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Ostade, Adriaen van Peasants Making Merry in a Tavern oil on canvas


Peasants Making Merry in a Tavern
Peasants Making Merry in a Tavern
Painting ID::  19717
  1635 Panel Alte Pinakothek, Munich.
  1635 Panel Alte Pinakothek, Munich.

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Ostade, Adriaen van Villagers Merrymaking at an Inn oil on canvas


Villagers Merrymaking at an Inn
Villagers Merrymaking at an Inn
Painting ID::  19718
  1652 Oil on panel Toledo Museum of Art.
  1652 Oil on panel Toledo Museum of Art.

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Ostade, Adriaen van Lawyer in his Study oil on canvas


Lawyer in his Study
Lawyer in his Study
Painting ID::  19719
  Oil on panel Museum Boymans van Beuningen, Rotterdam.
  Oil on panel Museum Boymans van Beuningen, Rotterdam.

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     Ostade, Adriaen van
     Dutch Baroque Era Painter, 1610-1685 Painter, draughtsman and etcher. According to Houbraken's rather unreliable biography, he was a pupil concurrently with Adriaen Brouwer of Frans Hals in Haarlem. Hals influenced him very little, whereas Brouwer, who was described as 'known far and wide' as early as 1627, had a decisive influence on the evolution of Adriaen van Ostade's always idiosyncratic portrayal of peasant life. The first documentary mention of Adriaen van Ostade as a painter is in 1632 (Schnackenburg, 1970). Most of his paintings are signed and dated, the earliest firmly dated example being the Peasants Playing Cards (1633; St Petersburg, Hermitage).

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